Sappho lesbian dating
So, feel at ease when communicating with other women here. You are allowed to create a profile, upload photos and browse the members here without having to make any payments. Most of Sappho's poetry is now lost, and what is extant has survived only in fragmentary form, except for one complete poem – the "Ode to Aphrodite".As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry.Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. She was from a wealthy family from Lesbos, though the names of both of her parents are uncertain.Green is also a brilliant translator of Greek and Latin poetry—Ovid, Juvenal, Apollonius Rhodius—and a provocative and witty essayist on classical themes; readers in search of lively reassessments of ancient authors and their modern interpreters should try his Essays in Antiquity (1960), The Shadow of the Parthenon (1972) and Classical Bearings (1989).
Sappho was a prolific poet, probably composing around 10,000 lines.She threatens a rich, uncultured woman with precisely the limbo Athenian women were consigned to—"When you lie dead there will be no memory of you…"—and expects her poetic celebration of her loves to keep her name alive for future generations: Except for the epithalamia, which were songs written for the celebration of a marriage, the fragments locate us in a strictly female world, a world in which Sappho sings "to delight my women friends," in which female alliances form and dissolve—"But Attis, to you the thought of me grows/hateful, and you fly off to Andromeda"—and in which, time and again, Sappho longingly remembers an absent love—"Always her thoughts turn, longing to come where we/also think of her….Please, Abanthis, your Sappho calls you: won't you take this Lydian lyre and play another song to Gongyla while desire still flutters your heart-strings for that girl, that beautiful girl, her dress's clinging makes you shake when you see it …." Others, particularly German scholars who took their cue from the passionate defense of Sappho as a virtuous wife and mother developed by Ulrich von Wilamowitz-Moellendorf in his denunciation of Pierre Louys's sapphic fiction Les Chansons de Bilitis, saw it as a sort of school for young ladies: Sappho's feeling for her younger companions, he insisted in 1955, was "a lover's passion, not sisterly affection or maternal benevolence" and the "union of cult-association and girls' academy under the presidency of Sappho" was a fiction that found no support either in the fragments or in the external sources.Not all scholars accept that Cleïs was Sappho's daughter.
Fragment 132 describes Cleïs as "παῖς" (pais), which, as well as meaning "child", can also refer to the "youthful beloved in a male homosexual liaison".
Her poetry was well-known and greatly admired through much of antiquity, and she was among the canon of nine lyric poets most highly esteemed by scholars of Hellenistic Alexandria.